Publicación: Terminal fluvial de pasajeros Aetherix
Fecha
2024
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Resumen: En esta tesis, se explorará la esencia de la ciudad trascendiendo definiciones formales y objetuales, para adentrarse en su sustancia. Se destacan las conexiones urbanas, la dualidad de lo irracional y se profundiza en la diferencia con la ciudad histórica. Entre las ambiciones contemporáneas y autores como Byung-Chul Han, Toyo Ito, Koolhaas y Borges, añadiendo capas de crítica y poesía, estableciendo una base rica para la comprensión de la ciudad como entidad viva y cambiante. De esta manera se establecen las bases de análisis y diseño urbano.
La humanización de la ciudad, centrada en relaciones intangibles, se revela como un componente esencial, advirtiendo contra el peligro de una ciudad carente de alma. La dualidad entre la racionalidad y la ausencia, la trascendencia humana y la coexistencia de los objetivos y objetivos se rigen como elementos cruciales, sentando un fundamento profundo para el análisis urbano y el diseño de la Terminal Fluvial de Pasajeros Aetherix.
Estas percepciones teóricas y urbanísticas se materializan en la terminal fluvial. Su diseño refleja una alineación orgánica con su entorno, donde la morfología, Zyada por la interacción dinámica entre el agua y la estructura, trasciende las formas convencionales, encarnando una expresión única que encapsula tanto la racionalidad funcional como la exploración poética. la terminal emerge como un símbolo desafiante de la noción de no lugar, ofreciendo un entorno que conecta a los individuos con el mundo y consigo mismos, se convierten entonces en un espacio que supere la impersonalidad, brindando un sentido de pertenencia.
En síntesis el diseño de la Terminal Fluvial de Pasajeros Aetherix, se vuelve un testimonio poético y funcional de la simbiosis entre historia, innovación y experiencia humana dentro del paisaje urbano.
Abstract: In this thesis, the essence of the city will be explored, transcending formal and objective definitions to delve into its substance. Urban connections are emphasized, along with the duality of the irrational, and an in-depth exploration of the difference between the historical city. Contemporary perspectives of authors such as Byung-Chul Han, Toyo Ito, Koolhaas, and Borges are interwoven, adding layers of critique and poetry, establishing a rich foundation for understanding the city as a living and changing entity. In this way, the groundwork is laid for urban analysis and design. The humanization of the city, focused on intangible relationships, emerges as an essential component, warning against the danger of a city devoid of soul. The duality between rationality and its absence, human transcendence, and the coexistence of the subjective and objective are erected as crucial elements, laying a profound foundation for urban analysis and the design of the Aetherix Fluvial Passenger Terminal. These theoretical and urbanistic perceptions materialize in the Fluvial Terminal. Its design reflects an organic alignment with its environment, where morphology, influenced by the dynamic interaction between water and structure, transcends conventional forms, embodying a unique expression that encapsulates both functional rationality and poetic exploration. The terminal emerges as a challenging symbol of the notion of a "non-place;" offering an environment that connects individuals with the world and themselves, becoming a space that surpasses impersonality, providing a sense of belonging. In summary, the design of the Aetherix Fluvial Passenger Terminal becomes a poetic and functional testament to the symbiosis between history, innovation, and human experience within the urban landscape.
Abstract: In this thesis, the essence of the city will be explored, transcending formal and objective definitions to delve into its substance. Urban connections are emphasized, along with the duality of the irrational, and an in-depth exploration of the difference between the historical city. Contemporary perspectives of authors such as Byung-Chul Han, Toyo Ito, Koolhaas, and Borges are interwoven, adding layers of critique and poetry, establishing a rich foundation for understanding the city as a living and changing entity. In this way, the groundwork is laid for urban analysis and design. The humanization of the city, focused on intangible relationships, emerges as an essential component, warning against the danger of a city devoid of soul. The duality between rationality and its absence, human transcendence, and the coexistence of the subjective and objective are erected as crucial elements, laying a profound foundation for urban analysis and the design of the Aetherix Fluvial Passenger Terminal. These theoretical and urbanistic perceptions materialize in the Fluvial Terminal. Its design reflects an organic alignment with its environment, where morphology, influenced by the dynamic interaction between water and structure, transcends conventional forms, embodying a unique expression that encapsulates both functional rationality and poetic exploration. The terminal emerges as a challenging symbol of the notion of a "non-place;" offering an environment that connects individuals with the world and themselves, becoming a space that surpasses impersonality, providing a sense of belonging. In summary, the design of the Aetherix Fluvial Passenger Terminal becomes a poetic and functional testament to the symbiosis between history, innovation, and human experience within the urban landscape.
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CIUDAD, ESENCIA, TEJIDO URBANO, PATRIMONIO, CULTURA, IDENTIDAD, HISTORIA, FLUCTUACIÓN, FLUJOS CIRCULATORIOS, ARQUITECTURA ORGÁNICA, MOVIMIENTO, FLUIDEZ, EFIMERIDAD, CITY, ESSENCE, URBAN FABRIC, HERITAJE, CULTURE, IDENTITY, HISTORY, FLUCTUATION, CIRCULATORY FLOWS, ORGANIC ARCHITECTURE, MOVEMENT, FLUIDITY, EPHEMERALITY
