Publicación: Lo sublime y lo feo : paralelismos convergentes
Fecha
2019-07-01
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Universidad Católica de La Plata. Faciltad de Humanidades
Resumen
Con la modernidad, vemos surgir las nociones de sublimidad y de fealdad como categorías estéticas. Introducida, en el siglo I, por Longino, tras las sucesivas traducciones, resurge un interés inusitado por profundizar la noción de sublimidad que el retórico aplicara al ámbito del discurso y lo que naciera para el arte de la palabra sería extendido a todas las artes.La cuestión de lo feo, aunque planteada desde la antigüedad, en forma análoga, alcanza su más alta cota a partir del arte y la estética moderna y crece vertiginosa-mente hasta nuestros días.Así, el redescubrimiento del concepto de sublimidad y la atención prestada por los filósofos del arte a lo feo parecen haber recorrido trayectos paralelos que —prescindiendo del quinto postulado de euclidiano— se encuentran en el pensamiento estético del siglo XX.Procuraremos, a continuación, desplegar los procesos que condujeran, del desarrollo paralelo de estos conceptos, a su inevitable encuentro.
With modernity, we see the emergence of the notions of sublimity and ugliness as aesthetic categories.Introduced, in the first century by Longinus, after the successive translations, an unusual interest reappears to deepen the notion of sublimity that rhetoric applied to the field of discourse and what was born for the art of the word would be extended to all the arts.The question of the ugly, although raised from antiquity, in an analogous way, reaches its highest level from modern art and aesthetics and grows vertiginously until our days.Thus, the rediscovery of the concept of sublimity and the attention paid by the of art philosophers to the ugly seem to have traveled parallel paths that apart from the fifth postulate of Euclidean are found in the aesthetic thought of the twentieth century.We will try, then, to with unfolding processes that will lead, from the parallel development of these concepts, to its inevitable meeting.
With modernity, we see the emergence of the notions of sublimity and ugliness as aesthetic categories.Introduced, in the first century by Longinus, after the successive translations, an unusual interest reappears to deepen the notion of sublimity that rhetoric applied to the field of discourse and what was born for the art of the word would be extended to all the arts.The question of the ugly, although raised from antiquity, in an analogous way, reaches its highest level from modern art and aesthetics and grows vertiginously until our days.Thus, the rediscovery of the concept of sublimity and the attention paid by the of art philosophers to the ugly seem to have traveled parallel paths that apart from the fifth postulate of Euclidean are found in the aesthetic thought of the twentieth century.We will try, then, to with unfolding processes that will lead, from the parallel development of these concepts, to its inevitable meeting.
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CATEGORÍA ESTÉTICA, SUBLIME, FEO, MODERNIDAD, VANGUARDIAS, AESTHETIC CATEGOTY, SUBLIME, UGLY, MODERNITY, AVANT-GARDE
